17 MAR 2023

How is ITVX using content licensing to target key audiences?

ITVX, the new hybrid OTT service launched by ITV in December 2022, is the latest example of a UK broadcaster adapting its online offerings to changing UK viewing habits, Ampere Analysis noted in its latest report.

17 MAR 2023

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ITVX, the new hybrid OTT service launched by ITV in December 2022, is the latest example of a UK broadcaster adapting its online offerings to changing UK viewing habits, Ampere Analysis noted in its latest report.

Ampere’s latest wave of consumer data shows that in the first quarter of 2023, self-reported time spent watching video-on-demand content was 19% greater than that spent watching linear TV in the UK. Indeed, since the first quarter of 2020, VOD viewing hours have grown by 48% whereas linear has fallen by 24%.

ITV, in replacing the former ITV Hub with ITVX, is not alone among UK broadcasters in revamping its digital strategy: Channel 4 is rebranding its digital and linear content offerings under a single brand identity, while the BBC has reached a deal with UK regulator Ofcom to allow more archived titles to be available on BBC iPlayer.

According to Ampere, the early numbers for ITVX have been promising, with the first month’s figures seeing a 29% year-on-year increase in viewing (65% if viewers of the FIFA World Cup are accounted for), perhaps helped by its digital-first exclusive window for new content and a large marketing campaign. With ITVX aiming to double ITV’s digital revenue by 2026, the big challenge in ITV’s new strategy will be moving its predominantly older linear viewers onto the digital platform: over 52% of consumers who have watched an ITV channel in the past month are aged 45-64.

This has been partly addressed through a content reshuffle, with almost 4000 hours of new content added on top of the existing ITV Hub catalogue since launch. Much of the new ITVX content is from the genres most favored by UK consumers aged 45-64, including Crime & Thriller, Sci-Fi & Fantasy, and Action & Adventure. These genres have seen some of the biggest boosts in content hours with 1500 hours added to the catalogue between them. Many have come from licensing deals made with key studios such as Paramount Global, including True Crime content from CBS Reality, and Warner Bros. Discovery bringing in a wave of fresh content to the platform.

Nevertheless, Ampere notes that ITVX must also appeal to younger consumers. A partnership with Glasgow-based distributor Anime Inc. has seen the platform add over 200 hours of Anime, a genre previously with little presence on ITV Hub. Anime is growing in popularity in the UK, with 27% of consumers aged 18-24 citing it as a genre they enjoy, compared to 18% of the total UK sample.

“ITVX’s hybrid model combines a free ad-funded service (AVOD) with a premium subscription video-on-demand (SVOD) tier. With the BritBox catalogue and content from French company StudioCanal available on this premium tier, ITVX is committing to a hybrid multi-platform future using not just its own commissions but a range of third-party licensing deals and partnerships to help it appeal to UK audiences who increasingly look online for their video content,”  said Joe Hall, Analyst at Ampere Analysis and the author of the report.