3 SEP 2024

Australia: Netflix remains as the leader of the SVOD market

According to Telsyte, despite cost-of-living pressures, SVOD services increased by 4% year-on-year to reach 25.3 million in June 2024.

3 SEP 2024

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The Australian entertainment subscription market, which includes video, music and game services, grew by 5% to 52.3 million services in the 12 months to June 2024, despite cost-of-living pressures and services’ increasing focus on profitability, according to new research by emerging technology analyst firm TelsyteThe Telsyte Australian Subscription Entertainment Study 2024 found despite a stronger impact of cost-of-living pressures, entertainment subscriptions remain essential to Australians, with around half of SVOD users considering their services vital in meeting their entertainment needs. Amongst video game subscribers, this figure rises to 58% for hardcore gamers who play for more than 3 hours daily.

The study indicates the market is maturing, particularly in SVOD services, where most (over 70%) subscribers now have more than one service. Growth rates are in single digits: SVOD (4%), streaming music (9%), and games-related subscriptions (6%). Streaming music's higher growth was boosted by the launch of TikTok Music during this period.

SVOD continues to grow in a mature market and the total number of SVOD services grew by 4% year-on-year, reaching 25.3 million in June 2024. Subscriber growth is attributed to a population increase, the introduction of more affordable ad-supported plans, and strong consumer interest in diverse content across multiple services. Revenue growth was driven by subscription cost increases and increased service adoption.

Netflix remains the clear leader with 6.2 million subscriptions at the end of June 24, followed by Amazon Prime Video (4.8 million); Disney+ (3.1 million); Stan (2.6 million); Paramount+ (1.8 million); Kayo Sports (1.6 million); and Binge (1.6 million).

The long tail of smaller services (below 1 million subscriptions) collectively increased by 1%, driven by consumer interest in diversified content at affordable price points, sometimes under $10 per month. Among all services above 100,000 subscriptions, BritBox saw the fastest growth in FY2024. Anime-focused Crunchyroll and reality TV-focused Hayu also showed a strong performance.

Excluding dedicated sports services that serve ads during live sports broadcasts, Telsyte’s research found there are some 2.5 million SVOD subscriptions subsidized by advertisements (June 2024), up from around million a year ago. Ad-supported subscriptions now account for 11% of the total SVOD services. Offered by Netflix, Binge and Paramount+, ad-supported plans are the most affordable base tier and come at a time when consumers are increasingly tightening their wallets. This growth is set to continue as the study found consumers are increasingly receptive towards having advertisements on their SVOD services if it can help subsidize the subscription cost. Close to 1 in 2 (45%) of SVOD users are interested in such a plan, a sharp 9% increase from a year ago. Telsyte estimates the introduction of more ad-supported plans could potentially lift the average number of subscriptions per household closer to 3.7 (currently 3.5) by 2028.

While demand for video subscription entertainment remained strong, paid SVOD services rank 8th among areas where consumers had reduced spending in the last 12 months, compared to 10th a year ago, according to Telsyte’s consumer spending insights.

SVOD services remain an important part of Australians’ video entertainment mix with over half (53%) of SVOD subscribers Telsyte surveyed indicating they continue to discover interesting new content and 45% are comfortable paying for multiple services. However, among those willing to pay for streaming video services, the average monthly budget has marginally declined by 2% to just under $36, adding to last year's 7% increase. The hardest hit consumer segments that saw their SVOD budgets reduced the most are young families and individuals with a medium income.

The study found the SVOD market revenue (excluding advertisements) reached an estimated $3.5bn for FY2024, a 15% year-on-year increase driven by cost rises and increased service adoption. Depending on the plan, the retail costs of top SVOD services have increased between 10% and 67% since June 2020, impacting the affordability of accessing services. The increasing costs highlight the potential interest in bundling multiple services to save costs, with nearly half of SVOD users claiming they will consider subscribing to new services if they come with a bundled discount with services they are already paying for.

“While Ad-subsidized SVOD subscriptions have been driving market growth, SVOD providers are entering the end of the peak growth cycle,” said Telsyte Managing Director Foad Fadaghi.

Australians are also allocating more time for free and ad-supported streaming services due to the rising cost of living, with 40% (up 8% YoY) claiming they are relying more on free services due to budget constraints. According to Telsyte, the average total weekly video entertainment consumption increased by 4% year-on-year to 47 hours, driven by free sources such as Broadcasting Video On Demand services (BVOD), YouTube and videos on social media. Notably, social media video platforms such as YouTube and TikTok continue to be popular among Australians. Telsyte estimates over a million are subscribed to YouTube Premium, the paid version of YouTube, highlighting the demand for niche and user-generated content. BVOD remained popular and most platforms had more than 11 million viewers during FY2024. The research also highlighted the increased usage of 9Now during the 2024 Paris Olympics.

Additionally, nearly five million Australians claim they have used FAST services or services that offer FAST channels in the last 12 months. The FAST market has quickly expanded over the last 24 months, with services such as Samsung TV Plus, LG Channels and Plex. Dedicated fast channels can also now be found on all of the BVOD services and Fetch’s platform.

Traditional video entertainment is on the cusp of a revolutionary transformation, driven by an increasing adoption of immersive technologies that will redefine the entertainment experience. Telsyte's projections indicate a potential surge in xR headset usage among Australians driven by better technologies that target the entertainment audience; increasing availability of content and applications; as well as popular brands such as Apple Vision Pro entering the market.

Telsyte estimates the number of xR headsets adopted by Australians is expected to more than double from around 1.5 million in 2023 to almost 3 million by 2028. Consumer interest in xR applications is primarily driven by video games and video-related entertainment, including sports, movies, and 3D-format entertainment.

Multi-view capabilities for simultaneous content consumption (e.g. sports games); the resurgence of 3D movies; and immersive live experiences such as concerts and sporting events are just a few examples of the exciting possibilities on the horizon. "Immersive technologies can be a catalyst for future growth in the SVOD market," explained Telsyte Senior Analyst Alvin Lee.

Telsyte estimates the total number of SVOD subscriptions could reach over 30 million by June 2028, driven by robust content pipeline; potential new market entrants such as HBO Max; increasing availability of ad-supported plans across numerous services; and more immersive video experiences.

The study also highlighted significant interest in Australian content on SVOD platforms in the past year, and two in three (64%) Australians claim they have watched Australian-related content on SVOD during that time. Drama, documentaries and comedy content were among the most popular categories, with more than half (56%) say they want to see more on these platforms.

Half of subscribers still believe it is important to have content that has Australian stories, voices, culture and values on SVOD services. Additionally, 37% of Australians say they are more likely to tune in if the video content is about Australia or is an Australian production.