A report by the European Audiovisual Observatory revealed that, although U.S. powerhouses continued to grow their weight in 2022, European players saw a larger growth during this year.
Reports by the European Audiovisual Observatory revealed that European productions accounted for 30% of SVOD viewing time, including 21% for EU works and 9% from the UK.
Spending on original content has increased faster than European audiovisual sector revenues, while at the same time sports rights spending is increasing sharply, the European Audiovisual Observatory revealed in its latest report.
US players represent the largest group of non-European parent companies of audiovisual services in Europe, according to the European Audiovisual Observatory’s latest report.
European works (films and TV seasons) made up 32% of all works found in VOD catalogues with EU27 works representing 21% of all works, and other European works 11%, according to the European Audiovisual Observatory’s latest report.