Keshet International commissions Woodcut Media's "Catch Me If You Can"

The company will launch the 10-part true crime docuseries at Mipcom 2024. 

27 SEP 2023

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Keshet International launched its new commissioning initiative, "KI’s Greenlight: Factual & Formats." In correlation with the launch, the company unveiled its first straight-to-series order for international distribution. “Premium factual content and formats continue to be in high demand from buyers, while many producers are struggling to get series commissioned," Kelly Wright, KI’s MD of Distribution said. "So, we are thrilled to be launching KI’s Greenlight: Factual & Formats initiative while announcing our first series order for Catch Me If You Can, following our first true crime producer pitch.  By responding collaboratively to market needs in this way, we’re finding a different way of getting fresh, new content on to TV screens around the world." 

Keshet International has commissioned Woodcut Media to produce a 10-part true crime docuseries entitled "Catch Me If You Can," with plans to launch the title at Mipcom 2024. which delves into the chilling world of murderers who evaded capture while taunting those tasked with bringing them to justice - following a true crime-focused producer pitch hosted in London at the end of 2022.  "Catch Me If You Can" is the first factual series the global producer and distributor has greenlit to date, with KI choosing to fully-fund this specific title. The title will be executive produced by Kate Beal and Nick Mavroidakis at Woodcut Media alongside KI’s Kelly Wright, with Angie Cox as Series Producer. Pre-production begins shortly, with filming slated for October. 

"Catch Me If You Can" is a true crime documentary series that delves into the chilling world of murderers who eluded capture, meticulously planning their crimes, and engaging in psychological warfare with investigators. Each episode takes viewers on a rollercoaster ride as they follow the pursuit of a different elusive killer, exploring the intricate mind games they play to outsmart those tasked with bringing them to justice. In this true crime docuseries, the focus is very much on the chase. With a blend of first-hand accounts, expert analysis, and stylized recreation, this series offers an unprecedented look into the methods and systems used by the police to finally capture these murderers. 

Killers profiled in this first series include James Watson, who was finally convicted in June 2022 of killing Ricki Neve in 1994; the Amazon Review Killer, Todd Kohlhepp, who murdered seven people over a decade; cop killer Eric Frein, who disappeared into the Pocono Mountains, initiating Pennsylvania’s longest manhunt in history that lasted 48 days and cost $12 million; and 24-year-old Amanda Taylor, who went on the run with a friend, having stabbed her husband’s father-in-law to death.  

“We first partnered with Keshet International on World’s Most Evil Killers back in 2016, with the first episodes premiering on Sky the following year," Kate Beal, Woodcut Media’s CEO said. "Telling these stories with sensitivity towards the victims, and those close to them was paramount.  At the time we felt we had a concept for the series that would be engaging, and fast forward to 2023 with eight seasons and 160 episodes produced to date and multiple global broadcast partners, thanks to Anke and the sales team at KI – the series has far exceeded our expectations."   

Keshet International also plans to host its second annual producer pitch, this time broadened out to include premium factual content and formats, as well as true crime - on Monday 27 November 2023.  With the objective of greenlighting up to three English-language projects a year - either fully funded by KI or co-funded in partnership with at least one broadcast or streaming partner - KI’s Greenlight: Factual & Formats initiative will be focussed on commissioning original premium factual content and formats with international appeal for distribution. 

“We were really impressed by the quality of shows pitched live by a selection of hand-picked factual producers last November, as were the buyers who joined us," Anke Stoll, KI’s SVP of Acquisitions and Co-productions – who will be managing KI’s Greenlight: Factual and Format initiative said. "Woodcut Media’s Catch Me If You Can appealed to all of us as it is a strong returning format that also has the flexibility to feature international cases to order. We’re excited to be extending the scope of our next producer pitch on 27 November to include formats as well as premium factual more broadly.” 

As worldwide distributor for all eight 20-part series of "World’s Most Evil Killers" produced to date, totalling 160 episodes, KI has sold this true crime docuseries - which delves into the gripping real-life stories of some of the most terrifying and prolific murderers in the UK and worldwide - to 96 territories to date, including RTL in Germany, SBS in Finland, and Belgium, M6 in France, AMC Networks in EMEA, Poland, and Africa, Foxtel in Australia, Bell Media in French-speaking Canada alongside Reelz and The Justice Network (United States), with discussions on-going with current and new broadcast partners. World’s Most Evil Killers is also KI’s most successful AVOD title, with multiple deals signed with Filmrise, Tubi TV, Hoopla and Little Dot.  

"With 'Catch Me If You Can' we take the same approach, thoroughly researching each case and providing expert analysis and stylized re-enactments," Beal said. "However, with this new series, the focus is on the actual chase and final capture of the elusive killer, with each episode taking viewers on a kind of roller coaster ride of ‘will they or won’t they catch them’ at every turn.” 

Premium factual content and formats continue to be in high demand from buyers, while many producers are struggling to get series commissioned. So, we are thrilled to be launching KI’s Greenlight: Factual & Formats initiative while announcing our first series order for Catch Me If You Can, following our first true crime producer pitch.  By responding collaboratively to market needs in this way, we’re finding a different way of getting fresh, new content on to TV screens around the world.” Kelly Wright KI’s MD of Distribution